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All the pieces have to fit together like a puzzle to make it the right project, and to feel like it’s going to move the needle and make a difference, and hopefully impact people that consume it.”Īn antagonist to the damsel in distress, Dobrev is expanding her catalogue with her new action comedy film for Netflix, The Out-laws. “And you don’t get paid ‘til it’s basically done, so you really have to be passionate about the material, the script, the characters, and the team involved. “It takes a long time to produce things and a lot of energy,” explains Dobrev.
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The story follows a young woman on a quest to free her sister from an infamous asylum, risking her own sanity, her safety, and her life. Woman 99, her other production effort in the works, is a television adaptation of Greer Macallister’s novel of the same name. “Jennifer Cram wrote a beautiful script, and a funny script,” elaborates Dobrev of this particular producing decision, “And she is a woman, she wanted to direct it, and so I just was really excited to collaborate with female filmmakers, and help make Jen’s dream a reality.” So you keep making bad decisions, over and over again, until something happens and you hit rock bottom, and realize that was exactly what you needed in order to change and be better.
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Jennifer Cram’s Sick Girl tells the story of being lost, getting into a funk, and not knowing how to climb out of it. Her latest production projects, which she is starring in as well, share female-centric stories, with strong female characters supporting them. “Telling provocative, interesting, impactful stories for women by women, that’s always been at the core of a lot of the projects.”
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“Female story, female filmmakers, that’s at the core of it,” explained Dobrev of the titles she chooses to produce. As a producer, Dobrev strives to tell stories created by women that showcase strong individuals who are not ashamed to be real. But she will also go above and beyond to make your dreams a reality by producing your movie. She will hold your hair in the event you throw up, defend you when people talk badly behind your back, share everything that’s on her mind and more, and have a tampon for whenever you need one. Throughout her career, and in her personal life, Dobrev is a girls’ girl. “She is looking for perfection, but she is looking outward and not really looking at herself and realizing that she is also flawed, and that there is no such a thing as perfection.You have to be whole in yourself, and accept your own flaws, and learn how to accept some-a lot of-flaws in other people too, because nothing is ever perfect, and if you are searching for perfection, you’ll never be satisfied.” “’s biggest flaw is that she doesn’t see that she has flaws,” explains Dobrev of her character’s self-discovery throughout the film.
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A love story at first glance, a feminist movie at its core, the film even changes the lyrics of “Baby It’s Cold Outside” to be less “rape-y” (according to Dobrev’s character, Natalie)-this movie fits right in with the values that the actor upholds to be the most important. The Prince Charming is not who you’d anticipate, the white knight is actually a white dame, and the dragon that keeps the damsel captive is that of her own fears and prejudices. Love Hard breaks every stereotype about the damsel in distress.
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Today, of course, the damsel in distress can fight her own dragons and pay her own rent- even the Disney princesses have started speaking up-but the idea that a woman needs a man to feel complete still lingers like a dark cloud above these figures’ heads. The ultimate culmination of damsels in distress? The Disney princesses, with the Prince Charmings, the happy endings, and the forever afters. Wodehouse’s novel A Damsel in Distress, which went on to become a musical. The idea became popularized in medieval romances, and the aforementioned phrase emerged for the first time in English in the late 17th and early 18th centuries: in the 1692 poem, ‘‘Sylvia’s Complaint of Her Sexes Unhappiness,’’ in a mid-18th-century ballad, ‘‘The Spanish Lady,’’ in the 1755 translation of Don Quixote, and the 1919 P.G. An ancient Greek legend presents the princess Andromeda chained to a rock, eventually saved from a sea monster by Perseus.
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The idea of the ‘damsel in distress’ has long figured into myth and literature.